We have a 1959 tri-level in Madison, Wisc., and we need to repaint. At some point someone painted it the current paint scheme, a redwood color and white with contrasting colors for the windows. We feel the way it is currently painted divides the house up to much.
The brick we have has an orange-ish tint to it. I have included a close up of the brick as well as the back of the house.
We would like to stay true to a period color scheme and would welcome any suggestions you have.
Thank you
Rebecca R.
Madison, WI
Hi Rebecca,
Thanks for your question . This is one of the times (and there are many) that I wish I could be there with my color palettes in hand. The fifties were a time of optimism and light airy pastel colors - we were trying to put the drab and sad war years behind us. I know that you want to stay true to the period but I hope you will allow me to tweak it a bit. No pale blue, lilac or seafoam green for you I'm sure! I do however think, with the rusty orange brick, that a green (let's take a cue from the greens of the period and go with a bluer casted one) would be really uplifting and smart. I would go with two greens that are essentially the same hue or color but vary in value (lightness or darkness of a color) - what I would call a color and a let down or tint of that color. Because the colors are in the same family and one is really a lighter version of the other, when you paint the two sections of your home (I would still paint them different colors because of the vertical siding on one and the horizontal on the other) it will not look choppy as it does now. I would use the deeper green for all the trim, top and bottom, the white horizontal siding and the garage door. I would use the lighter green for all the red color siding. This distribution of color will look great, with the darker color on the bottom of the house (the trim will not contrast here - same color) and the lighter green shade on the top with just a bit of the deeper green trim contrasting to tie in the bottom. Take a look at Benjamin Moore Cambridge Green #468 for the darker shade and Ben Moore High Park #467 for the lighter. Hopefully these will work but at least they will give you an idea of how much the colors should vary. Good Luck .... and keep us posted on how it goes!
Thanks for your question . This is one of the times (and there are many) that I wish I could be there with my color palettes in hand. The fifties were a time of optimism and light airy pastel colors - we were trying to put the drab and sad war years behind us. I know that you want to stay true to the period but I hope you will allow me to tweak it a bit. No pale blue, lilac or seafoam green for you I'm sure! I do however think, with the rusty orange brick, that a green (let's take a cue from the greens of the period and go with a bluer casted one) would be really uplifting and smart. I would go with two greens that are essentially the same hue or color but vary in value (lightness or darkness of a color) - what I would call a color and a let down or tint of that color. Because the colors are in the same family and one is really a lighter version of the other, when you paint the two sections of your home (I would still paint them different colors because of the vertical siding on one and the horizontal on the other) it will not look choppy as it does now. I would use the deeper green for all the trim, top and bottom, the white horizontal siding and the garage door. I would use the lighter green for all the red color siding. This distribution of color will look great, with the darker color on the bottom of the house (the trim will not contrast here - same color) and the lighter green shade on the top with just a bit of the deeper green trim contrasting to tie in the bottom. Take a look at Benjamin Moore Cambridge Green #468 for the darker shade and Ben Moore High Park #467 for the lighter. Hopefully these will work but at least they will give you an idea of how much the colors should vary. Good Luck .... and keep us posted on how it goes!







Bill Baccini has a degree in textile design and has worked in the field in New York for 18 years. He has traveled extensively throughout Europe researching trends in fabric and color, attending color seminars and trade shows and lecturing national and international clients on color and its applications. Bill was on the board of the Color Association of the U.S for 11 years, a member of the Color Marketing Group for 14 years and edited a New York color and trend publication with an international distribution. Mr. Baccini studied with Leatrice Eiseman, Executive Director of the Eiseman Center for Color Information and Training and Executive Director of the Pantone Color Institute. Simultaneously, since 2000, Bill has worked as a freelance interior designer and color consultant, with a client base ranging from New York to Washington D.C. He is currently an adjunct faculty member at Philadelphia University.