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Shades of Modern
Answers to your color questions

Shades of Modern!
with Bill Baccini

Answers to your color questions.

Tuesday, March 16, 2010

Victorian Goes Modern


I am soon to inherit this painted Victorian bedroom set. It consists of the bed you see in the photos, plus a dresser and washstand that both have white marble tops. This may seem like an odd question for Modernism magazine, but the reason I write is because we are moving to a contemporary apartment, built c. 1989. I would like to paint the bedroom a color that would compliment the antique set, yet lend a bit of contemporary feel, in keeping with the clean lines of the space. Shades of green would definitely not be an option! I like the idea of giving the room a beach cottage feel, but not with a result too quaint or "twee." Any suggestions?

Thank you!
Liz in NYC


Well, that is quite the bed! Magnificent and imposing with a very strong presence, I am afraid a beachy cottage look (unless that "cottage" happens to be owned by William Randolph Hearst) is quite out of the question. This is where color can really help a set like this feel right at home in the 80's.  I would recommend you go with strong colors that will give weight to the walls and anchor the pieces within.  It can be difficult to assess color when you are not able to visit the site, but upon some reflection, and with a printout of the headboard in hand, I settled on two directions.  For a deep solid restful look go with Benjamin Moore's Durango (2137-30).  This color is a sort of charred warm gray (a bit green-casted) which will look sophisticated, have presence and show definite intentions.  If you would prefer a more subdued mystical feeling try Benjamin Moore's Cloudy Sky (2122-30).  This is a dreamy blue -- gray color which looks to have about the same depth as the green of the headboard and is not too far away on the color spectrum.  Because of these factors, this shade will soften the lines a bit and pull together the whole look.  Lastly I would paint the ceiling (eggshell) and trim (semi gloss) the same color as the wall so as to not interrupt the site line and blur where wall meets ceiling.  With a heavy sisal rug, touches of gold and bronze patinas (perhaps realized in some modern light fixtures) and well chosen art work you are good ‘til the next century!
Posted by Modernism Magazine at 7:20 AM

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Blog Archive

  • ►  2011 (1)
    • ►  January (1)
      • Freshening Up a 1959 Tri-level in Madison
  • ▼  2010 (3)
    • ►  October (1)
      • Spruce Up Your Home Front
    • ►  April (1)
      • 60's Curb Appeal
    • ▼  March (1)
      • Victorian Goes Modern
  • ►  2009 (5)
    • ►  December (1)
      • If you can't stand the heat....
    • ►  June (1)
      • Julie's Got the Blues
    • ►  April (1)
      • Should Gail Go Green?
    • ►  February (1)
      • Bedroom Paint Color Dilemma!
    • ►  January (1)
      • Ever have trouble Picking the Perfect Paint Color?...

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Bill Baccini has a degree in textile design and has worked in the field in New York for 18 years. He has traveled extensively throughout Europe researching trends in fabric and color, attending color seminars and trade shows and lecturing national and international clients on color and its applications. Bill was on the board of the Color Association of the U.S for 11 years, a member of the Color Marketing Group for 14 years and edited a New York color and trend publication with an international distribution. Mr. Baccini studied with Leatrice Eiseman, Executive Director of the Eiseman Center for Color Information and Training and Executive Director of the Pantone Color Institute. Simultaneously, since 2000, Bill has worked as a freelance interior designer and color consultant, with a client base ranging from New York to Washington D.C. He is currently an adjunct faculty member at Philadelphia University.

Send questions for Bill to info@modernismmagazine.com or contact him directly at bbaccini@cavtel.net.
 
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